{"id":5878,"date":"2021-11-10T17:31:41","date_gmt":"2021-11-10T17:31:41","guid":{"rendered":"https:\/\/llibresalrepla.cat\/?p=5878"},"modified":"2022-01-19T09:48:22","modified_gmt":"2022-01-19T09:48:22","slug":"love-sex-desire-el-trac-del-desig-dalguns-illustradors-de-la-lij","status":"publish","type":"post","link":"https:\/\/llibresalrepla.cat\/?p=5878","title":{"rendered":"Love, sex &#038; desire. El tra\u00e7 del desig d\u2019alguns il\u00b7lustradors de la LIJ"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Els admirem pel seu talent creant \u00e0lbums per infants, per\u00f2 alguns dels artistes m\u00e9s rellevants de la LIJ, que han esdevinguts cl\u00e0ssics i referents a nivell mundial, tamb\u00e9 els uneix un tra\u00e7 que representa l\u2019erotisme, el joc i la llibertat.<\/span><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\" wp-image-5883 aligncenter\" src=\"https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/Confessions16.jpg?resize=277%2C366\" alt=\"\" width=\"277\" height=\"366\" \/><\/p>\n<p><span style=\"font-weight: 400;\">Parlar de sexe a trav\u00e9s de la narrativa (textual o visual) \u00e9s comunicar l\u2019ess\u00e8ncia humana. Com deia Barthes la literatura, de la mateixa manera que ho fa el sexe, ofereix <\/span><i><span style=\"font-weight: 400;\">plaisir i jouissance. <\/span><\/i><span style=\"font-weight: 400;\">Un plaer i gaudi que tamb\u00e9 va saber representar Andy Warhol amb els seu recull d\u2019il\u00b7lustracions <\/span><i><span style=\"font-weight: 400;\">Love, Sex &amp; Desire <\/span><\/i><span style=\"font-weight: 400;\">(1950-1962), i que ha inspirat el t\u00edtol d\u2019aquesta entrada. No \u00e9s doncs estrany que molts il\u00b7lustradors infantils del segle XX i XXI tamb\u00e9 transgredeixin les normes i el pol\u00edticament correcte dibuixant el plaer carnavalesc de manera subversiva, i deixant espai als clarobscurs del desig m\u00e9s instintiu i primari. Vegeu-ne aqu\u00ed alguns exemples:<\/span><\/p>\n<p><strong>Tomi Ungerer<\/strong><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\" wp-image-5880 aligncenter\" src=\"https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/fornicon-1.jpeg?resize=332%2C425\" alt=\"\" width=\"332\" height=\"425\" srcset=\"https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/fornicon-1.jpeg?resize=391%2C500&amp;ssl=1 391w, https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/fornicon-1.jpeg?w=522&amp;ssl=1 522w\" sizes=\"auto, (max-width: 332px) 100vw, 332px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">L\u2019artista alsaci\u00e0 (1931-2019) va tenir moltes vides i va publicar obres de tota mena. A Catalunya les seves produccions arriben tard i se centren b\u00e0sicament a aquelles destinades a un p\u00fablic infantil. Per\u00f2 Ungerer \u00e9s un il\u00b7lustrador amb una producci\u00f3 er\u00f2tica important. Tot i ser premiat i reconegut pels seus llibres infantils i cartells publicitaris als Estats Units durant la d\u00e8cada dels seixanta, va ser prohibit i boicotejat per escoles i biblioteques nord americanes, a partir del 1969, precisament, per compaginar la il\u00b7lustraci\u00f3 infantil amb altres de contingut adult. Aquest rebuig es va fer especialment evident despr\u00e9s de la publicaci\u00f3 de <\/span><i><span style=\"font-weight: 400;\">Fornicon<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5900 aligncenter\" src=\"https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/Kamasutra-des-grenouilles.jpeg?resize=235%2C332\" alt=\"\" width=\"235\" height=\"332\" srcset=\"https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/Kamasutra-des-grenouilles.jpeg?resize=354%2C500&amp;ssl=1 354w, https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/Kamasutra-des-grenouilles.jpeg?w=500&amp;ssl=1 500w\" sizes=\"auto, (max-width: 235px) 100vw, 235px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">Fart del puritarisme imperant, les festes desmesurades, i una relaci\u00f3 amorosa fallida, Ungerer decideix abandonar aquell continent i tornar a Europa. S\u2019instal\u00b7lar\u00e0 uns mesos en un bordell hamburgu\u00e8s, per il\u00b7lustrar personatges d\u2019aquest establiment i viure entre bastidors la font del plaer i del sexe. D\u2019aquesta experi\u00e8ncia en sortir\u00e0 un llibre, <\/span><i><span style=\"font-weight: 400;\">Schutzenengel der H\u00f6lle<\/span><\/i><span style=\"font-weight: 400;\"> [\u00c0ngel de la guarda dels inferns], editat per Diogenes el 1986; i una amistat amb Dominique, propietaria i <em>Madame<\/em> de la casa de barrets, relaci\u00f3 que mantindr\u00e0 per sempre m\u00e9s. Per\u00f2 aquest no \u00e9s l\u2019\u00fanic t\u00edtol er\u00f2tic d\u2019Ungerer, tamb\u00e9 s\u00f3n destacables altres obres com <\/span><i><span style=\"font-weight: 400;\">Erotoscope<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Totempole<\/span><\/i><span style=\"font-weight: 400;\"> o\u00a0 <\/span><i><span style=\"font-weight: 400;\">Das Kamasutra der Fr\u00f6sche<\/span><\/i><span style=\"font-weight: 400;\"> [El Kamasutra del les granotes], un dels llibres que m\u00e9s b\u00e9 il\u00b7lustra aquesta vocaci\u00f3 d\u2019Ungerer per representar l\u2019<\/span><i><span style=\"font-weight: 400;\">ars erotica<\/span><\/i><span style=\"font-weight: 400;\">. Malauradament, tot aquest corpus ha patit tota mena de censures, i si el voleu llegir, l\u2019haureu d\u2019adquirir en l\u00ednia o b\u00e9 anar-lo a consultar al soterrani del seu museu a la ciutat de Strasbourg.\u00a0<\/span><\/p>\n<p><strong>Marcel Vidoudez<\/strong><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5881 alignleft\" src=\"https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/Vidoudez_le-temps-ch.jpeg?resize=310%2C163\" alt=\"\" width=\"310\" height=\"163\" \/><\/p>\n<p><span style=\"font-weight: 400;\">Conegut a Su\u00efssa per publicar material did\u00e0ctic i un dels llibres m\u00e9s difosos per aprendre a llegir, <\/span><i><span style=\"font-weight: 400;\">Mon premi\u00e8r livre<\/span><\/i><span style=\"font-weight: 400;\">, Marcel Vidouez (1900-1968) tamb\u00e9 se l&#8217;identifica per una producci\u00f3 er\u00f2tica important. Tot i que la va mantenir en secret fins al final del seus dies.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Nicole Claveloux<\/strong><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5882 alignright\" src=\"https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/Entre_chien_et_loup.jpg?resize=262%2C320\" alt=\"\" width=\"262\" height=\"320\" \/><\/p>\n<p><span style=\"font-weight: 400;\">Pintora i il\u00b7lustradora francesa, nascuda a Saint-\u00c9tienne el 1940. Claveloux \u00e9s una artista coneguda pels seus \u00e0lbums d\u2019est\u00e8tica Pop Art, on sempre hi inclou colors psicod\u00e8lics i hist\u00f2ries fantasmag\u00f2riques. Menys conegudes s\u00f3n les il\u00b7lustracions d\u2019aquesta <\/span><i><span style=\"font-weight: 400;\">enfant terrible<\/span><\/i><span style=\"font-weight: 400;\"> en altres g\u00e8neres com la premsa escrita, les revistes infantils o la producci\u00f3 amb contingut adult. D\u2019aquesta en destaquem les obres er\u00f2tiques <\/span><i><span style=\"font-weight: 400;\">Morceaux choisis de la Belle et la B\u00eate<\/span><\/i><span style=\"font-weight: 400;\"> (2003), <\/span><i><span style=\"font-weight: 400;\">Confessions d\u2019un monte-en-l\u2019air <\/span><\/i><span style=\"font-weight: 400;\">(2007) i <\/span><i><span style=\"font-weight: 400;\">Contes de la F\u00e8ve et du Gland<\/span><\/i><span style=\"font-weight: 400;\"> (2010). La seva identitat digital es duplica a trav\u00e9s de dos espais diferents: un destinat a les seves aportacions a la LIJ (http:\/\/nicole.claveloux.free.fr), i un altre on inclou \u00fanicament les seves creacions de literatura er\u00f2tica (<\/span><a href=\"http:\/\/claveloux.curiosa.free.fr\"><span style=\"font-weight: 400;\">http:\/\/claveloux.curiosa.free.fr<\/span><\/a><span style=\"font-weight: 400;\">).<\/span><\/p>\n<p><strong>Albertine<\/strong><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-5886 aligncenter\" src=\"https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/Albertine2.jpeg?resize=500%2C250\" alt=\"\" width=\"500\" height=\"250\" srcset=\"https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/Albertine2.jpeg?resize=500%2C250&amp;ssl=1 500w, https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/Albertine2.jpeg?resize=768%2C384&amp;ssl=1 768w, https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/Albertine2.jpeg?w=800&amp;ssl=1 800w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">La fantasia, el misteri, el joc, l\u2019humor, l\u2019harmonia i l\u2019erotisme sempre han fascinat a Albertine, premi Andersen 2020. Aix\u00ed, m\u00e9s enll\u00e0 de la seva coneguda producci\u00f3 infantil, tamb\u00e9 ha publicat diversos t\u00edtols de literatura er\u00f2tica.\u00a0<\/span><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5885 aligncenter\" src=\"https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/albertine3.jpeg?resize=310%2C163\" alt=\"\" width=\"310\" height=\"163\" \/><\/p>\n<p><span style=\"font-weight: 400;\">Gaireb\u00e9 tots aquests t\u00edtols han estat creats conjuntament amb el seu company, en la vida real i en la de ficci\u00f3, Germano Zullo. Alguns dels m\u00e9s coneguts s\u00f3n <\/span><i><span style=\"font-weight: 400;\">Albertine et les trois p\u2019tites gourmadises<\/span><\/i><span style=\"font-weight: 400;\"> (1997), <\/span><i><span style=\"font-weight: 400;\">Le salon de Madame Auguste <\/span><\/i><span style=\"font-weight: 400;\">(2000), <\/span><i><span style=\"font-weight: 400;\">Un belle paire de fesse<\/span><\/i><span style=\"font-weight: 400;\"> (2002), o <\/span><i><span style=\"font-weight: 400;\">Faim du corps<\/span><\/i><span style=\"font-weight: 400;\"> (2016) entre altres.<\/span><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5884 aligncenter\" src=\"https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/albertine.jpeg?resize=170%2C243\" alt=\"\" width=\"170\" height=\"243\" \/><\/p>\n<p><strong>Benjamino Caldo<\/strong><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5895 aligncenter\" src=\"https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/Unknown.jpeg?resize=218%2C231\" alt=\"\" width=\"218\" height=\"231\" \/><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5888 alignright\" src=\"https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/chaudblancaneus.jpeg?resize=379%2C257\" alt=\"\" width=\"379\" height=\"257\" srcset=\"https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/chaudblancaneus.jpeg?resize=500%2C339&amp;ssl=1 500w, https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/chaudblancaneus.jpeg?w=620&amp;ssl=1 620w\" sizes=\"auto, (max-width: 379px) 100vw, 379px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">Probablement aquest nom no us digui res, per\u00f2 sota aquest pseud\u00f2nim s\u2019hi amaga en Benjamin Chaud. Un artista que m\u00e9s enll\u00e0 de crear personatges infantils com Pomelo, Pompon Ours o Taupe et Mulot, tamb\u00e9 ens ofereix, des del 2016 i a trav\u00e9s de les seves xarxes socials, unes reinterpretacions picants dels contes de fades. L\u2019editorial Helium les va publicar en format llibre l\u2019any 2017 sota el nom de <\/span><i><span style=\"font-weight: 400;\">Contes de fesses<\/span><\/i><span style=\"font-weight: 400;\">, tot i jugant amb la fon\u00e8tica francesa de culs (fesses) i fades (fe\u00e9s).<\/span><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-5887 aligncenter\" src=\"https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/cahud.jpeg?resize=500%2C268\" alt=\"\" width=\"500\" height=\"268\" srcset=\"https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/cahud.jpeg?resize=500%2C268&amp;ssl=1 500w, https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/cahud.jpeg?resize=768%2C412&amp;ssl=1 768w, https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/cahud.jpeg?resize=900%2C480&amp;ssl=1 900w, https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/cahud.jpeg?w=1024&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p><strong>Benito Jacob\u00f3n<\/strong><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5879 aligncenter\" src=\"https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/Ay-mi-amor.jpeg?resize=215%2C330\" alt=\"\" width=\"215\" height=\"330\" \/><\/p>\n<p><span style=\"font-weight: 400;\">A trav\u00e9s de 14 il\u00b7lustracions, el poeta ib\u00e8ric Benito Jacob\u00f3n- en realitat, Beno\u00eet Jacques- ens representa les etapes de l\u2019educaci\u00f3 sentimental, aix\u00ed com un curs accelerat de llengua a <\/span><i><span style=\"font-weight: 400;\">\u00a1Ay mi amor! <\/span><\/i><span style=\"font-weight: 400;\">(2015). Aquesta, per\u00f2, no \u00e9s l\u2019\u00fanica obra de l\u2019artista belga destinada a un p\u00fablic adult, vegeu tamb\u00e9 les seves tires c\u00f2miques o tot el seu cat\u00e0leg autoeditat i disponible a <\/span><a href=\"https:\/\/benoitjacques.com\"><span style=\"font-weight: 400;\">https:\/\/benoitjacques.com<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5889 aligncenter\" src=\"https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/BJacques.jpeg?resize=380%2C285\" alt=\"\" width=\"380\" height=\"285\" \/><\/p>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">*<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Il\u00b7lustrar \u00e0lbums infantils i a l\u2019hora representar el desig en llibres per adults, en una societat que tendeix a ser cada vegada m\u00e9s p\u00fadica, \u00e9s una cohabitaci\u00f3 complicada. No \u00e9s sorprenent que molts d\u2019aquests artistes, i altres que no citem per falta de temps, optin per la utilitzaci\u00f3 de pseud\u00f2nims i per espais alternatius de difusi\u00f3. En qualsevol cas, a nosaltres ens satisf\u00e0 que aquests creadors ens hagin obert la porta i ens mostrin, d\u2019alguna manera, la seva interpretaci\u00f3 del joc, l\u2019intimisme i el desig hum\u00e0 m\u00e9s enll\u00e0 dels \u00e0lbums per infants. I \u00e9s que en el fons, sempre hi acabarem trobant un doble destinatari&#8230;<\/span><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-5890 aligncenter\" src=\"https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/image_67185921-scaled-e1636565428940-386x500.jpg?resize=281%2C364\" alt=\"\" width=\"281\" height=\"364\" srcset=\"https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/image_67185921-scaled-e1636565428940.jpg?resize=386%2C500&amp;ssl=1 386w, https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/image_67185921-scaled-e1636565428940.jpg?resize=768%2C996&amp;ssl=1 768w, https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/image_67185921-scaled-e1636565428940.jpg?resize=1185%2C1536&amp;ssl=1 1185w, https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/image_67185921-scaled-e1636565428940.jpg?w=1382&amp;ssl=1 1382w\" sizes=\"auto, (max-width: 281px) 100vw, 281px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Els admirem pel seu talent creant \u00e0lbums per infants, per\u00f2 alguns dels artistes m\u00e9s rellevants de la LIJ, que han esdevinguts cl\u00e0ssics i referents a nivell mundial, tamb\u00e9 els uneix un tra\u00e7 que representa l\u2019erotisme, el joc i la llibertat. Parlar de sexe a trav\u00e9s de la narrativa (textual o<\/p>\n","protected":false},"author":16,"featured_media":5892,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[54,74],"tags":[],"class_list":["post-5878","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-3r-1a","category-porteria"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/llibresalrepla.cat\/wp-content\/uploads\/2021\/11\/albertine-coberta.jpeg?fit=495%2C500&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p983NL-1wO","_links":{"self":[{"href":"https:\/\/llibresalrepla.cat\/index.php?rest_route=\/wp\/v2\/posts\/5878","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/llibresalrepla.cat\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/llibresalrepla.cat\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/llibresalrepla.cat\/index.php?rest_route=\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/llibresalrepla.cat\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5878"}],"version-history":[{"count":7,"href":"https:\/\/llibresalrepla.cat\/index.php?rest_route=\/wp\/v2\/posts\/5878\/revisions"}],"predecessor-version":[{"id":5901,"href":"https:\/\/llibresalrepla.cat\/index.php?rest_route=\/wp\/v2\/posts\/5878\/revisions\/5901"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/llibresalrepla.cat\/index.php?rest_route=\/wp\/v2\/media\/5892"}],"wp:attachment":[{"href":"https:\/\/llibresalrepla.cat\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5878"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/llibresalrepla.cat\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5878"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/llibresalrepla.cat\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5878"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}